{"id":14067,"date":"2019-03-22T09:30:43","date_gmt":"2019-03-22T16:30:43","guid":{"rendered":"https:\/\/www.drumeo.com\/beat\/?p=14067"},"modified":"2022-08-20T09:01:46","modified_gmt":"2022-08-20T16:01:46","slug":"brian-tichy-effective-triplets-rock-drumming","status":"publish","type":"post","link":"https:\/\/www.drumeo.com\/beat\/brian-tichy-effective-triplets-rock-drumming\/","title":{"rendered":"Brian Tichy:<br> Effective Triplets for Rock Drumming"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5lhT2jhxrDQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&gt; <a href=\"https:\/\/www.drumeo.com\/courses\/the-grooves-of-bonham\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\">Brian Tichy: The Grooves of John Bonham<\/span><\/a><br \/>\n&gt; <a href=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/20073902\/Drumeo-Brian-Tichy-Effective-Triplets-for-Rock.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\">Get the PDF for this lesson here!<\/span><\/a><\/p>\n<p>Triplets aren\u2019t just for jazz, blues, and shuffles. In this full lesson, Brian Tichy &#8211; who has played with some of the world\u2019s biggest rock bands &#8211; talks about spicing up your rock drumming with triplets.<\/p>\n<p>The most important thing to remember is keeping quarter notes going on the hi-hat. It\u2019ll keep you balanced, help with your independence, and improve groove and confidence.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>1a (4:52)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14086\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1a.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1a.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1a.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1a.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1a.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>This is a classic drum solo lick with a left hand lead. Left hand rack tom, right hand floor, then kick drum. Make sure your left hand is locked with your hi-hat. Start slow and even, put on the click, then try it at medium and fast tempos.<\/p>\n<h3><strong>1b (7:02)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14085\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1b.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1b.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1b.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1b.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171156\/1b.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Here&#8217;s that same pattern, but the right hand leads this time.<\/p>\n<h3><strong>2 (8:33)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14084\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171155\/2-.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171155\/2-.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171155\/2-.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171155\/2-.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171155\/2-.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Now, let&#8217;s put exercises 1a and 1b together. Lead with your right, then with your left &#8211; get comfortable alternating. It&#8217;s important to remember that your feet are basically doing a shuffle. You can even try to combine this exercise with a shuffle beat to get the feel. You can use this to start building solos, and even add the snare in there.<\/p>\n<h3><strong>3a (12:30)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14123 size-full\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/20075444\/3a.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/20075444\/3a.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/20075444\/3a.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/20075444\/3a.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/20075444\/3a.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Now, drop your foot in the middle of each triplet. The shuffling is in your hands this time. It might be tricky at first, so again: take it slow and build up speed and coordination. Try just putting in the first kick at first.<\/p>\n<h3><strong>4 (15:34)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14082\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171152\/4-.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171152\/4-.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171152\/4-.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171152\/4-.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171152\/4-.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Putting an accent on the first note of each triplet will give you some cool dynamics. If you have solid control of your double strokes, you should be able to get this one up to speed more quickly.<\/p>\n<h3><strong>5 (17:08)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14081\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171151\/5-.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171151\/5-.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171151\/5-.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171151\/5-.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171151\/5-.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Flip the phrase around so the accent is on the last note of each triplet. Start with a double stroke on the left, then accent the right. Again, make sure you lock in the hi-hat with your left hand.<\/p>\n<h3><strong>6 (20:06)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14080\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171150\/6-.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171150\/6-.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171150\/6-.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171150\/6-.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171150\/6-.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>We&#8217;re combining some of the phrases we went over earlier. You can also try this in 4\/4 with a rock beat. Play the accents on another drum to change up the sound.<\/p>\n<h3><strong>7 (22:31)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14079\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171149\/7-.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171149\/7-.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171149\/7-.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171149\/7-.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171149\/7-.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Let&#8217;s combine the pattern in exercise 4 with the one in exercise 5. There\u2019s a switch on the snare halfway through that forces you to reverse the sticking pattern.<\/p>\n<p>Once you&#8217;re feeling comfortable with these exercises, try these other patterns:<\/p>\n<h3><strong>10a (25:25)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14078\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171148\/10a.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171148\/10a.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171148\/10a.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171148\/10a.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171148\/10a.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>This double stroke &#8216;extension&#8217; is a useful tool to have in your back pocket. Try and make it swing!<\/p>\n<h3><strong>10b (26:14)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14077\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171146\/10b.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171146\/10b.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171146\/10b.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171146\/10b.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171146\/10b.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Now flip it and work on your left hand. You might throw something like this into the middle of a solo, or you could try putting it together with other patterns as a fill.<\/p>\n<h3><strong>10c (26:53)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14076\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171145\/10c.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171145\/10c.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171145\/10c.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171145\/10c.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171145\/10c.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Put the last two exercises together and get used to alternating sticking. Try it with singles first to get the motion, then do it with the doubles.<\/p>\n<h3><strong>11a (27:28)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14075\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171143\/11a.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171143\/11a.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171143\/11a.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171143\/11a.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171143\/11a.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Here&#8217;s another sextuplet pattern that uses the skills covered earlier.<\/p>\n<h3><strong>11b (28:15)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14074\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171142\/11b.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171142\/11b.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171142\/11b.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171142\/11b.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171142\/11b.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Flip that last lick to the left side. Pay attention to that hi-hat!<\/p>\n<h3><strong>11c (28:58)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14073\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171141\/11c.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171141\/11c.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171141\/11c.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171141\/11c.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171141\/11c.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>We&#8217;re combining two of the previous patterns, again to lead with your right then lead with your left.<\/p>\n<h3><strong>12 (30:56)<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14072\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171140\/12-.jpg\" alt=\"\" width=\"1849\" height=\"405\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171140\/12-.jpg 1849w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171140\/12-.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171140\/12-.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2019\/03\/18171140\/12-.jpg 1024w\" sizes=\"auto, (max-width: 1849px) 100vw, 1849px\" \/><\/p>\n<p>Start with 11c, then end with 10a and 10b.<\/p>\n<p>It may be tough at first to get them to swing, but you can get a lot of mileage out of these triplets. Get that groove and get that feel. Take a page out of Brian (and Bonham)\u2019s book and get groovin\u2019!<\/p>\n<p><strong>About Brian Tichy:<\/strong><br \/>\nBrian Tichy is best known for his drumming with Whitesnake, Billy Idol, Foreigner, Sass Jordan, and Ozzy Osbourne. Besides substituting for Jason Bonham with Foreigner, he has organized, produced, and played in the drummer tribute \u201cBonzo, The Groove Remains The Same\u201d, celebrating the 25th anniversary of the death of Led Zeppelin\u2019s John Bonham.<\/p>\n<p>Brian plays: <a href=\"https:\/\/www.ludwig-drums.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ludwig Drums<\/a>, <a href=\"http:\/\/www.paiste.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Paiste Cymbals<\/a>, <a href=\"https:\/\/www.remo.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Remo Drumheads<\/a>, and <a href=\"http:\/\/www.regaltip.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Regal Tip<\/a> drumsticks.<\/p>\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Triplets aren\u2019t just for jazz, blues and shuffles. In this lesson, Brian Tichy talks about spicing up your rock drumming with triplets.<\/p>\n","protected":false},"author":129,"featured_media":14152,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4017,4026,4019,4038],"tags":[],"class_list":["post-14067","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beats-and-fills","category-drum-fills","category-drummers","category-full-lessons"],"_links":{"self":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/14067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/users\/129"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/comments?post=14067"}],"version-history":[{"count":34,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/14067\/revisions"}],"predecessor-version":[{"id":36193,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/14067\/revisions\/36193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media\/14152"}],"wp:attachment":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media?parent=14067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/categories?post=14067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/tags?post=14067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}